Producers: Ali Payimi, Peter Svensson, and P. Edwin OrtizĪriana Grande f/ the Weeknd "Love Me Harder" Also, that sample flip of Nükhet Duru's "Ben Gene Sana Mecburum" is haunting in a "let's get fucked up" kind of way. Though it technically was not a part of the official rollout-"The Hills" acted as the lead single a year later-"Often" captures his ability to straing total debauchery through sweet melody, which became the hallmark of his second studio album. It made sense for the Weeknd to include "Often," a one-off single turned platinum hit, on Beauty Behind the Madness. Producer: Ben Billions, the Weeknd, and DaHeala For that feeling, fans need to go back in time. Things between the Weeknd and Drake seem copacetic these days but haven't made music together recently. The sound mimics the fact of Abel's existence at this time-he's veiled by the beat, setting the scene for Drake's big entrance. On "The Zone," a sprawling Thursday cut, the two Canadians trade notes over the slinky, guitar-heavy production. Ross Scaranoĭuring life before wartime, the Weeknd and Drake were a dynamic duo not to messed. ( Stephan Moccio, one of the producers and writers, has worked with Celine Dion, Sarah Brightman, and Josh Groban.) But variety has its charm and place, and the stately instrumental bed brings out something especially epicene in his voice. Musically, the song resembles little in his catalog, more adult contemporary than adult adult film. “Earned It,” a prim sex waltz, became his first song to crack the top five of the Billboard Hot 100, making it the first giant step on his journey from Tumblr libertine to global pop star. James email novel Fifty Shades of Grey, Abel splashed some water on his face, checked his nostrils in the mirror, and straightened up. Restraint doesn’t seem right for someone who’s made music about running trains, but for the soundtrack to the coy adaptation of E.L. Producer: Stephan Moccio and Jason Quenneville Edwin OrtizĪlbum: 50 Shades of Grey soundtrack (2015) and Beauty Behind the Madness (2015) The second half of the song kicks into gear with a beat that hits hard and offers a portrait of all things XO this ain't nothing to relate to. "When I got on stage, she swore I was six feet tall/But when she put it in her mouth she can't seem to reach my"-you know how the last part goes. Take, for instance, the title track, a near eight-minute opus that stands out for its risqué language. Kiss Land may have been a brick, but it's not without some good moments. Producer: Silkky Johnson, The Weeknd, Danny Boy Styles, and Daheala
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